
Here is another image of Eliot, shot against the door of the apartment in Sydney where I did my shoots.
If you’ve read the previous posts about this apartment, you’ll know that it was like a camera itself - windowless on three sides with a single light source coming through the fourth side of the apartment, which was made entirely of glass and overlooked the whole of Sydney right down to the harbour.
The door to the apartment was right at the other end so, in camera terms, Eliot is standing where the film or sensor would be. This unique set-up created a very special quality of light, and its wonderful softness can be seen in this image. It works particularly well with Eliot’s very defined physique, and proves to me that you don’t always need harsh lighting and baby oil to make men look good!
Come back tomorrow for more of Eliot.